 Mustering Dutch Courage |
| Review Date: September 16, 2005 |
| Reviewer: Michael S. Mahoney, Louisville, KY United States |
In a film of beautiful nuance, Richard Attenborough captures the horrors or war and the dignity of those who must endure, soldiers and civilians alike. The stellar cast of "A Bridge Too Far" (a veritable who's who of acting greats) sets this film apart. Sean Connery leaves behind the cool assuredness of Bond and faces futility with a mug of tea while Anthony Hopkins, a proper Englishman in Hell, surrenders with dignity, only reluctantly accepting chocolate from the enemy. James Caan is a particular standout. With true American grit, he bends all the rules and makes good on a pledge. The scale of the film could have wrought disasters on par with the campaign it portrays. Fortunately, the immensity of the Market-Garden campaign, which historically met its Waterloo at Arnhem, doesn't swallow up the stories of individual characters, of the Brit with umbrella for instance or the Dutch resisters who spy for the Allies.
Few World War II flicks showcase the absolute beauty of the European countryside. In "A Bridge Too Far," the landscape, made all the more picturesque in its contrast to the gore and destruction, is certainly an additional star and supports the wisdom of shooting this expensive epic in the Netherlands. The wide-angle approach, as well as the moving score, give balm to eyes and ears now accustomed to the tortorous naturalism of "Saving Private Ryan." Attenborough pulls back, thankfully. In its final scene, "A Bridge Too Far" achieves poignance without dialogue, without bluster, and without the common contrivance of summoning tears with half-baked, insipid bathos. Sir Lawrence Olivier and Liv Ullman stare straight ahead, the fresh graves of British paratroopers lining their path from an elegance destroyed, from an order and faith utterly shattered. The scene is perfection. And the film itself is close to it. |
Literally filmed on location
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| Review Date: January 8, 2000 |
| Reviewer: Kevin R. Austra, Delaware Valley, USA |
| Cornelius Ryan's nonfiction saga is masterfully told in the film adaptation. MARKET GARDEN, hoped to be one of the death blows to the German Reich, was daring and ambitious, but failed to bounce the Rhine and bring the war to conclusion. Locations in the Netherlands included the actual Nijmegen Bridge, drop zones outside of Oosterbeek (which is next to Arnhem), the Deventer Bridge closely doubling as the bridge at Arnhem, and many scenes filmed at the Dutch Infantry training center at nearby Harskamp. Producer Joseph E. Levine and Director Richard Attenborough drew equipment from numerous nations, including quite a few museum relics, to create this film. What they did not have, special effects and props departments created in order to create a realistic and mostly historically accurate rendition of this September 1944 battle in Holland. Where the film deviates from the book is that the movie tends to paint the Allied planners as blind to the possible flaws in the operation and German Field Marshal Model is portrayed as a cowardly fool. In reality, Model's immediate actions, though based on incorrect assumptions, greatly contributed to the containment of the Airhead north of the Neder Rijn. A BRIDGE TO FAR ranks highly with films like THE LONGEST DAY and SAVING PRIVATE RYAN in terms of intensity and historical accuracy. |
Excellent Film -- Historically Accurate.
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| Review Date: July 20, 1999 |
| Reviewer: , |
| In my opinion, the best war movie ever made -- a notch better than "Saving Private Ryan," which contains certain historical inaccuracies. "A Bridge Too Far" masterfully adapts Cornelius Ryan's meticulously-researched book of the same title. More importantly, with the exception of the German tanks and armored personnel carriers depicted in the failed attempt to capture the northern end of the Arnhem bridge, the uniforms, machine guns, rifles, tanks, landscape, etc. depicted in the film are accurate -- unlike the vast majority of war films that cut corners, film off location, fail to research key facts, etc. The "second Omaha Beach" crossing of the Waal River by the 504th Parachute Infantry Regiment of the 82nd Airborne Division -- filmed on loaction -- is the most riveting scene in the movie. Also spectacular is the reenactment of the dropping of hundreds of paratroopers over Holland from C-47 Dakotas. The only negative is that the movie can be quite confusing to one who is not familiar with the intricacies of Operation Market Garden. I urge anyone considering viewing the film to first read "Arnhem 1944" by Martin Middlebrook or Cornelius Ryan's above-mentioned book. Some research will help put this complicated military operation into perspective. After you've seen the movie, and if you have the time, money and inclination, take a battlefield tour of Nijmegen and Arnhem (both just an hour-or-so drive from Amsterdam) so you can truly appreciate the sacrifices made by the British, American, and Polish paratroopers depicted in the film nearly 55 years ago. |
The WWII film for WWII fans
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| Review Date: March 18, 2004 |
| Reviewer: TrezKu13, Norfolk, VA |
| This is perhaps the best movie for the World War II buff. Might I must add this is for the buff only. If you watch a World War II movie for the passion of "Saving Private Ryan" or the formulaic melodrama of "Windtalkers," you may find yourself bored. "A Bridge Too Far" goes about as far as personal conflict with James Caan's attempt to rescue a fellow soldier to fulfill a promise that they won't die...but that lasts about ten minutes of the movie. The plot is all about the battle, the commanders, and the men who fought it, as well as the plans and actions that went behind the whole thing. If you saw "Tora Tora Tora" you'll know what I mean. And if "Tora Tora Tora" bored you, then you should probably avoid "A Bridge Too Far." But if you like watching a movie with great attention to detail, then you will love this movie. No longer do we have American tanks with Iron Crosses painted on them, all the battles look almost like the way they would have looked in the real war. Perhaps the violence is not as graphically realistic as today's films, but being a film from the 70's you have to cut it some slack. I can definately highlight the three best parts of this movie: 1) the airborne drops, which are filmed in first-person so that you see the paratroopers jumping out and even checking their parachutes afterward (adding to the realism); 2) the music - I don't know a collection of military themes that doesn't include the Bridge Too Far March; and 3) the cast, which was well picked for each part - I can't decide who I like better, Sean Connery as Urqheart, Edward Fox as Horrocks, or Sir Lawrence Olivier as a good-hearted Dutch doctor, but every one does their part like no other actor collection I've ever seen. So in short, I highly recommend this for my fellow World War II historians who want to see a part of history re-animated in a near perfect fashion, then you should definately add this to your collection. |
They don't get better than this
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| Review Date: November 23, 1999 |
| Reviewer: J. Urban, Iowa |
| An all star cast, great acting, REAL German actors instead of Americans butchering the German language pretending to be German, historically accurate, no goofy romance subplots, ground assaults, airborne assaults, the Dutch resistance, and no "all Germans are evil Nazis bent on killing everyone" propaganda. What more can you ask for? |
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