 Criterion Edition is THE one to have |
| Review Date: December 23, 2005 |
| Reviewer: Wayne Klein, My Little Blue Window, USA |
Kurosawa's last undisputed masterpiece, "Ran" adapts "King Lear" (Shakespeare was one of Kurosawa's favorite writer) placing it during the 16th century in Japan. Like "Throne of Blood" (another Kurosawa classic that also adapts "Macbeth") "Ran" melds action with drama in a unique way that only Kurosawa was able to do. Sure there have been other directors that have made films about Japanese culture, Feudalism and the Samurai but none with the keen insight and profound glimpse into what makes a culture tick as well as Kurosawa.
Kurosawa had lost most of his collaborators prior to the shooting of "Ran". All of that informs the darkness and his identification for the main character. While Kurosawa freely borrowed from "King Lear", he also informed the film with many issues facing himself; he felt isolated from the Japanese filmmaking community and he was unappreciated in this late phase of his career having to scramble to get financing (frequently going overseas to get it). Kurosawa felt isolated and alone without his collaborators. The loss of his wife just prior to shooting meant that Kurosawa threw his raging emotions into "Ran" using the story of "Lear" as a means to examine his own personal situation.
A beautiful, rich transfer from Criterion. There's few digital artifacts and there's virtually none of the issues that dogged the "Masterworks" edition of this film. The image isn't cropped (the "Masterworks" edition had the edge of the frame cut off) and the high definition transfer looks marvelous with rich colors, remarkable clarity and depth to the image. There is noticeable grain but that's part of the original theatrical presentation of the film and not a surprise given that the film is 20 years old. The Dolby Digital 2.0 soundtrack has no noticeable distortion with nice depth and clarity for both the dialogue and the music.
Chris Marker's marvelous documentary "AK" is included as part of the package on the second disc. That by itself would also make this worth repurchasing if you're in doubt about it. However, coupled with the terrific restoration and transfer done by Criterion here it makes this an essential purchase for fans of Kurosawa's films. We also get an appreciation by director Sidney Lumet, an episode of Toho Masterworks on Kurosawa that's also quite good (although I prefer Marker's 74 minute documentary). "It is Wonderful to Create" focuses exclusively on "Ran" while Marker's documentary is a better overview of the director. Criterion has also used Kurosawa's original sketches and paintings to create sections of "Ran" as Kurosawa original saw it prior to actual production. Finally there's a new interview with lead actor Tasuya Kakadai. As usual Criterion has included an excellent booklet that includes a very good essay by film critic Michael Wilmington, a 1985 interview with Kurosawa about the making of the movie and a new interview with "Ran" composer Toru Takemitsu. This deluxe 2 disc edition makes the nonanamorphic previous edition look almost like a videotape by comparison in terms of the overall quality.
Stephen Prince provides interesting background about Japanese culture and Kurosawa's film style. Prince's commentary is a bit dry coming across as a lecture that one might sit through at UCLA or USC and isn't all that entertaining but it is quite informative. Personally, I would have preferred an interactive commentary with Prince discussing the film with, say, Lumet, Francis Ford Coppola or another well known film director.
This is an essential purchase for fans of Kurosawa. Kurosawa's last epic is, perhaps, his darkest and one of his most accomplished. The extras would make this worth purchasing by themselves but the beautiful, rich high definition transfer makes this the best version of "Ran" that has ever appeared on home video. I highly recommend this film.
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Criterion on the way....
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| Review Date: April 9, 2005 |
| Reviewer: Pamela J. Burzinski, |
That Ran is a masterpiece is not really up for debate. It's arguably the greatest film by arguably the greatest Japanese filmmaker of all-time (and thus one of the greatest filmmakers of all-time from any nation, period).
However, this gem's transition to DVD has been cringe-worthy on Region 1. The Fox Lorber edition is noted as being one of the worst transfers in existence, and while many were satisfied with the Masterworks edition, most who were familiar with the film (and many who weren't) recognized that there was an obscene amount of digital manipulation. The result is the film's colors looked utterly artificial and the film has nowhere near the serene look it normally does. The transfer is just deplorable.
But, true to their reputation, Criterion is coming to save the day. They've announced they're working on a release for late this year. Expect a deluxe edition that you WILL want to wait for, guaranteed. Let the current editions rot. |
The Greatest Adaptation of Shakespeare to Film
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| Review Date: June 22, 2002 |
| Reviewer: Mr. David R. Watson, UK |
| "Ran" (Chaos) is the greatest cinematic adaptation of Shakespeare and a masterpiece in its own right. In adapting the broad scenario of "King Lear" to a setting in Sixteenth Century Japan, Akira Kurosawa felt free to manipulate it to his own purposes, leading to a film that is perhaps even more bleak than the play. First and foremost "Ran" is a visually stunning film, unencumbered by the received tradition of Shakespearean language, which never translates well onto the cinema screen, he has allowed the scenario to develop into images that are beautiful and horrific. Filmed on the slopes of Mount Fuji there is a sense of unreality, or nightmare about the whole epic, as though it is taking place in a mythic space, at once recognisable and alien. For a director best known for his black and white movies ("Seven Samurai", "Rashomon"), Kurosawa surprisingly uses color to breathtaking virtuoso effect. The scenes of soldiers flooding in waves across the volcanic wasteland of Mount Fuji carrying vivid blue, red or yellow flags are amongst the most extraordinary ever filmed. The battle scenes shock and astonish, not least because Kurosawa's use of sound is so exquisite and original; many of the most horrendous images of battle are shown without sound effects with only an elegiac musical accompaniment. Far from sanitising them, the effect is to shock you out of the viewing habits formed watching so many other "war" movies. Yet "Ran" is so much more than a broad epic, or war movie. The more intimate scenes are carried off with understated conviction, the sly hypocrisy hidden behind formality and convention is conveyed in highly poised and stylised interior shots. This film can be both visceral (prepare yourself for the beheading of Lady Kaede: as visually explosive as anything by Tarantino, and set within a film that is more than mere surface) and restrained, depending on the nature of the scene. There are moments of quiet and tenderness that resonate long after the film had ended. It is odd that so few successful films have been made from Shakespeare. The pre-eminent playwright of the western canon has translated beautifully into opera and stage directors can continually find fresh things to say about the plays themselves, yet in general film had been hopelessly incapable of doing anything of note with Shakespeare. Think of the ghastly declamatory rhetoric of Laurence Olivier in "Henry V", or the inane pop video that Baz Lurmann made from "Romeo and Juliet", not to mention Kenneth Brannagh's tediously self-important "Hamlet". Somehow Kurosawa succeeds where all these others fail. His earlier "Throne of Blood" was a beautifully realised adaptation of "Macbeth" to the Samurai period in Japan: "Ran" builds on that achievement and surpasses it. Perhaps the fact that Kurosawa was Japanese allowed him more creative license to work with Shakespeare, able to approach it simply as valid material for film making, and not as the shibboleth that it is to western artists. In Ran we have the late masterpiece of one of the greatest and most important film makers. It is a distilled and precise work, powerful, visceral, contemplative, epic and intimate. In short this is film making on a par with the greatest art. Ran shows us what mainstream film making can achieve, but so rarely does. |
A rich experience worth viewing over and over again
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| Review Date: February 2, 2003 |
| Reviewer: Craig Matteson, Ann Arbor, MI |
| This is a magnificent movie. It is visually beautiful - the colors and the way the shots are framed are stunning. The visuals are controlled in ways that add to the poetic power of the story. I do not speak Japanese, but the sound of the language combined with the musical score also adds to the intensity of this movie. The subtitles are good, but I am sure that those who understand Japanese get even more from this story. This is not a film of Shakespeare's "King Lear". Rather, it is an adaptation and is based on the underlying themes of the play. It is not important for me to list the differences between the play and the movie, it is just important that a first time viewer not expect the Shakespearian story. If you know the play you will recognize aspects of the movie and enjoy the ways in which Kurosawa adapted the story to his own and Japanese sensibilities. It may nod to Shakespeare, but Kurosawa makes this his story. The costumes, music, and acting are superlative. For me, the trademark Kurosawa battle scenes are more wonderful here than usual. This is a masterpiece by a filmmaking virtuoso who is also a sensitive enough artist to make a spectacular movie that is also poetic, humorous and heart breaking, tender and brutal as well images that are beautiful and others that are hideous. This isn't light viewing or mind candy, but it has so much to offer that it is worth watching and learning from over and over again. |
beware of this DVD
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| Review Date: February 7, 2000 |
| Reviewer: Seth Johnson, EARthought |
| without a doubt we all know this movie is more then excellent, but if you already own the VHS tape of Ran then beware of this DVD! the quality doesn't do the film justice, the subtitles are part of the transfer (they can't be turned off) and are sometimes hard to read, there is only a chapter search and you can't scroll through the chapter if you're in the middle of watching the movie. no clock will be displayed on your DVD player also, weird. |
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