John McCain: Navy SEAL?
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| Review Date: March 21, 2003 |
| Reviewer: John, Cleveland, OH |
| Tears of the Sun is more than what the trailers make it out to be. It's not your normal action movie, meaning the plot isn't just an excuse to have lots of things blow up. The story focuses more on the internal struggles of Willis's character than anything else. If you watched the trailer and were hoping for Die Hard 4: The African Edition, you will be sorely disappointed. The plot revolves around a mission by US Navy SEALs to go into a hostile area of Nigeria and rescue an American doctor. The doctor (Monica Bellucci) is living at Mission, taking care of sick and dying Nigerians. Getting the doctor out is only a minor hassle, the real trouble begins when Willis' characters internal struggles of following orders vs. doing what is right get the best of him and he decides to try and save all the Nigerian patients. From there all hell breaks loose and there are a few surprises before the end. As I said before, this is not your normal action movie. It doesn't go gonzo on the special effects and explosions, but obviously this is a war movie and there is plenty of violence near the end. The thing is, by the time people do start dying, you will care. On a side note, there are several parts of the movie that are unrealistic (the main one being a Navy SEAL going against explicit orders from his commanding officer), but these can be easily forgiven and overlooked. The combat depicted is on par with the best recent war movies, such as Black Hawk Down and We Were Soldiers. It's very realistic. The "grand finale" battle at the end is a pretty intense 30 minutes, and is best experienced at a theater with good sound. Overall, this is a very satisfying movie that is worth the exorbitant ticket prices these days. |
This Is A Thoughtful Yet Still Terrific Action Film!
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| Review Date: July 3, 2003 |
| Reviewer: Barron Laycock, Temple, New Hampshire United States |
| From the opening sequences aboard the aircraft carrier to the closing credits desplayed over escaping helicopters, this is perhaps the single most thoughtful action film of recent memory. Bruce Willis is terrific as an officer whose special operations team is assigned to extract an American national missionary doctor (a lovely woman, of course) from the war-ravaged rural areas of Nigeria. What should be a quick and easy operation turns complex based on the doctor's seemingly outrageous demand that seventy Nigerians be brought along, on the one hand, and Willis' sorely vexed conscience based on what he knows will happen to these Nigerians if he leaves them behind. So, Eighty or so strong, they venture tenuously into the hidden dangers of the jungle, quickly pursued by a battalion of rebel forces bent on finding and killing them. What then transpires is both well dramatized and cinematically executed, and the movie gives the viewer a quite accurate idea of the amazing firepower contained in a relatively small American fighting unit, and at the same time it also renders a glowing and accurte portrait of just how selfless and caring American fighting men can be. In the wake of so many such recent examples in Iraq, it is touching to see it so convincingly dramatized here. Yet at the same time, some troubling social and political questions regarding the nature of the human beings that inhabit the planet are depicted in quite gritty detail, and the subsequent theme of how to make sense in an absolutely insane situation plays a major role in making this an excellent, albeit a bit self-conscious and serious, action film. The action is superb, the cinematography of the African landscape is breath taking, and the actors provide a wonderful ensemble portrait of people trying to cope with the manifest craziness of conflict and war. One leaves the film thinking about what has been said and shown, and with a greater appreciation for just how marvelously complex our position in the world is. I highly recommend the film both for entertainment and for edification. Enjoy |
Surprisingly good movie that is totally underrated
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| Review Date: May 9, 2006 |
| Reviewer: Kali, United Kingdom |
I saw this movie on TV just the other day and I was a bit sceptical as I am not really a Brue Willis fan, too gung-ho for me at times but he managed win me over with this little gem of yet another underrated film.
Willis plays the taciturn and battle worn Lt. Waters who along with his elite team of Navy SEALS are sent to war-torn Nigeria with orders to rescue an American citizen by marriage a one Dr. Lena Kendricks (Monica Bellucci). The mission is in theory cut and dry except for a small problem Dr. Kendricks is not willing to abandon the people she has grown to love during her time caring for them.
Lt Waters forces the Doctor to leave behind her friends but when he sees from the helicopter what horrific fate awaits them he disobeys a direct order from his Commanding Officer to ignore the plight of the refugees and with his men he turns back and attempts to make it to the safety of Cameroon on foot.
To make matters worse, the little band of men and women are being pursued by ruthless guerrillas who destroy everything and everyone in their path because hiding among the fleeing refugees is the sole survivor of the country's previous ruling family, whom the rebels have been ordered to eliminate at all costs.
Willis is superb as the damaged and emotionally fragile Lt. Waters who finds to his consternation that he has acquired a conscience and that he cares about what happens to the people now in his care and come hell or high water he will save them or die trying. There are some pretty gruelling scenes such as the murder of a young woman and her baby in a village, and the savagery of the American soldiers when pursuing a traitor in their midst is equally stomach churning but each scene plays a pivotal part in the whole of the film and you become aware that you are watching something unfolding before your eyes, a drama about human nature and its ability to both shock and praise in the same breath.
The musical score from beginning to end is amazing, haunting and unforgettable and well worth listening on its own, in fact it was so good I have now got a copy of it to listen to on my computer.
As the film headed toward its violent climax I found myself on the edge of my seat as the survivors and the now battle worn American soldiers run desperately toward the Cameroon border, knowing full well that if they don't make it they will all be slaughtered mercilessly.
Watch the last few minutes of this movie for a wonderful scene when some other refugees already in Cameroon realise that there is a survivor of the slaughtered ruling family among them, that even brought a tear to my cynical eye, especially when the wounded Lt Waters watches it unfold from the helicopter, held in the loving arms of Dr Kendricks who realises what sacrifice he has made for her and the refugees. It was all done so naturally and without guile it was if I was there witnessing it myself.
A fantastic film that does Bruce Willis, Monica Bellucci credit and I must add that the young man who played the surviving member of the slaughtered previous ruling household was excellent too, as were all the cast in fact. |
Great Picture and Sound Quality
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| Review Date: November 24, 2006 |
| Reviewer: MJH, Houston, TX |
| This review is only of the technical aspects of the disc, not the film itself. You may have heard that this disc is one of the best out of the early Blu-ray releases. That's absolutely true. The uncompressed PCM 5.1 soundtrack is the best sound quality I have heard so far in a consumer software release - we'll see if the recent Fox titles with DTS-HD Master Audio tracks can best it. The picture quality is extremely good, in the top 10-20% of current Blu-ray releases (as of Thanksgiving 06). |
Saw it twice, bought the soundtrack and cried.
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| Review Date: June 12, 2003 |
| Reviewer: Omni, New York, NY |
I was deeply moved by this movie. Here in NYC its 10 dollars to see a movie and I saw this twice and bought the soundtrack----a [big]investment. I do like Bruce Willis as an actor and Monica Belluci who I first saw in Under Suspicion, here and now in the Matrix Unloaded is a total knockout, not just because she's pretty but because you can see her thinking. Much the way Catherine Zeta-Jones acts in flms----you can see even if this person is pretending they are thinking about this scene as if it is relaity and their characters are infused with the hesitation, the deliberation of intelligent people who don't blurt al they know or suspect. Willis as always is yet another shade, another degree, another facet of an accomplished actor who is striving for a versatility that is ingratiating.The film was incredible because it so accurately dealt with the murky complexity of war. Suddenly on a simple mission to snatch 4 missionaries out of a hospital village that is in the line of the now killer spree military, Willis' small force finds themselves with loads of moral dilemmas. Belluci won't go without her patients, three of the missionaries refuse to go at all so strong is their commitment to the African people they tend. To get them moving Willis lies to Belluci and then can't live with the lie when they leave behind dozens of helpless people. What drove me in this film is what would I do, what is teh military's responsibility, what is a human being's responsibility to another? Do we just abandon each other on "orders" or political ties that may not even touch us personally or is every life valuable. When this film came out, the Iraq attack was on and people were literally screaming in the streets about kill, kill, kill. War is an abomination. It is literally the raping of the human race as an action to take against another. And yet we not only do it but produce it as entertainment. What made thsi film stand out, I generally don't go to war films nor gangster films, is that the very message of this film is about the people who are caught inbetween all of this drama. People who are just drinking a glass of water, raising their families, tending their fields. The film also demands a conclusive answer to a central question, a presupposition of war----you must be able to kill women and children. Put a gun to their heads or allow them to die. And there comes a point when the soldiers can not do this, nor watch it be done. That's what makes thsi film stand out and why I heartily reccommend it to people who don't get off on war, on gore, on watching the pantomime of people dying. I cried during the movie because I knew that a few thousand miles to the East people, just normal folk, were being slaughtered much as the people in the film were, simply for being caught between two armies/ideologies. Aksua Busia plays one of the rescued villagers, she was Celie's sister in the Color Purple and did a heavy re-write on Beloved the screenplay. She is a commendable actress though her part here has to embody such positive African sentiment that it does seem maudlin, or too "cloying" of gratitude. She is an excellent actress and the best twist of all is how Belluci's character makes it infaticly clear, without regards to race, that these are HER people and she will not be safe if they aren't safe. And it soon becomes apparent during the film that she will even lie to the American soldiers to protect her adopted people. That form of not simply heroism but diverging from the norm stance----a character willing to die, to put it all on the line without even having a weapon for the racial "other" is wondorous thing to see. I also recommend the soundtrack which is moving and haunting and foreboding and as lush as the jungle these people move through. I enjoyed Fuqua's direction, particularly the African military being portrayed as a force so intent, so massive that literally the only thing that saves anyone from them is a deux ex machina. The title Tears of the Sun literally refers to the final ten minutes of the movie when the whole world has gone to hell and a battle breaks out that can't be won. I also like a good chase film, where someone is being chased and must compensate for the fact that they are outnumbered or outgunned. This is a classic film and I don't use that lightly----particularly for the timeframe that it's come out in. |
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