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The Italian Job [Blu-ray]
 
Manufacturer: Paramount
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Product Description

Though it bears little resemblance to the original 1969 thriller starring Michael Caine, the 2003 remake of The Italian Job stands on its own as a caper comedy that's well above average. The title's a misnomer--this time it's actually a Los Angeles job--but the action's just as exciting as it propels a breezy tale of honor and dishonor among competing thieves. Inheriting Caine's role as ace heist-planner Charlie Croker, Mark Wahlberg plays straight-man to a well-cast team of accomplices, including Mos Def, Jason Statham, and scene-stealer Seth Green in a variation of the role originally played by Noel Coward. As the daughter of Croker's ill-fated mentor (Donald Sutherland), Charlize Theron is recruited to double-cross a double-crosser (Edward Norton in oily villain mode), and once again, speedily versatile Mini Coopers play a pivotal role in director F. Gary Gray's exhilarating car-chase climax. It's perhaps the greatest product placement in movie history, and just as fun the second time around. --Jeff Shannon

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Customer Reviews

"I liked him, right up until the moment I shot him."
 
Review Date: June 2, 2003
Reviewer: CodeMaster Talon, Orlando, FL United States
Well done! Now THIS is what I call a popcorn movie. No big drama, no great life issues; just a fun plot, great action, and good looking people packing the screen. "The Italian Job", a remake of the 1969 Michael Caine flick, is cinema escapism at its best and a great bet for a Friday night date.

Mark Wahlberg stars as Charlie, acting head of a gang of high-tech, high class thieves. He's taking over for his mentor (played by the always welcome Donald Sutherland) as his team sets up a brilliant scheme for $35,000,000 in gold bars (the "Italian Job" of the title).
But things don't go quite as planned, and one year later Charlie reassembles his mates, plus his mentor's daughter (Charlize Theron) to take revenge on the man who betrayed them and set things right once and for all.

The action here is splendid, imaginative and well filmed. The script is tight, with plenty of snappy lines to go around (including a great running gag about just who invented Napster) and the musical score is surprisingly nice. All the actors have fun with their roles, especially Seth Green as a computer geek and Edward Norton as the slimy bad guy. And of course there's Wahlberg.

I like Mark Wahlberg. I can't help it. I like him more with every movie he makes. I like his quiet, confident walk, his little boy smile, and the way his forehead crinkles whenever somebody yells at him. He seems to actually get better looking as the movie goes along, and his chemistry with Theron is low-key but sexy.

I give "The Italian Job" five stars not because it was a masterpiece, but because I had a great time and know the film will hold up well with future viewings (it was a lot like "Ocean's Eleven" in this regard). Go on and see it; you'll like it. And probably want a Mini when you get out.

GRADE: A-

(By the way, I LOVED the way our heroes never carried guns or shot anybody. Old school baby!)

Perfect summer movie
 
Review Date: June 12, 2003
Reviewer: bensmomma, Ann Arbor, Michigan
"The Italian Job" is your classic summer movie: one villain, one hero, one beautiful intelligent woman, one computer geek, one ladies' man, one explosive expert, shake, stir, add a bunch of car chases, a few last-minute surprises, voila. The story is about a group of master thieves led by Donald Sutherland cleverly steal $35 million in gold bars from a safe in Venice, only to have it stolen again. The group must pursue the villain to get the gold back, using Mission-Impossible style technology and an enormous amount of wit.

Two things raise this far above its genre: absolute super settings: a boat chase through, under, and around Venice; a set of tricked-out Mini-Cooper cars vrooming through the sewer pipes of LA like kids through a water slide. Really fine performances: Donald Sutherland as the patriarch of the thieves, Seth Green (Scott Evil from the Austin Powers movies) as the funny computer geek, and the supremely creepy Edward Norton as the villain. Only Mark Wahlberg fails to project much of a personality.

The thing I appreciated most is that none of the action was faked by computer: it's just good old-fashioned stunt-driving. It's really pretty impressive (it's 'actually happening'); as much as you might have liked this summer's Matrix movie, this one is at least as thrilling because it's 'real.'

Smart, Intelligent and Entertaining Caper Film!
 
Review Date: November 21, 2003
Reviewer: Barron Laycock, Temple, New Hampshire United States
This is a truly terrific caper movie, one that works well by both showcasing the emerging star power of both Donnie Wahlberg and Charlize Theron and also having a terrific storyline. It is also a smart and well-photographed movie that proves the old adage of depending on the use of a great story and then embellishing on it with all the bells and whistles. The plot is as believable as anything can be that posits the existence of people so smart, so devious, and so daring as to be able to do some of the things that are done here. Yet the qualms about believability quickly fade with each nosiy and exciting revving up of the action, which is well choreographed, full of pyrotechnics, and absolutely fresh and new, adding to the charm of the movie.

The cast adds immeasurably to the charm of the movie, with Donald Sutherland, Ed Norton, and several notable others lending both credence and a certain gritty feel to this tale about life on the margins, on the far side of the law. I also got the impression that given the box office success of this film; much of the crew may be back to thrill us again in an inevitable sequel. I am up for it. After all, given the aplomb and cool they displayed in driving a trio of Metros through the streets, sewers, and tunnels of Los Angeles at rush hour, and added into this mix was a certain level of style and intelligence often missing in such caper flicks, it would be fun to consider a series of such films. Compared to other recent offerings at the theater, which have by an dlarge been disappointing affairs indeed, it would be a relief to consider more caper flicks like this. Enjoy!

Top Notch Remake!
 
Review Date: December 10, 2003
Reviewer: Nickibockers,
While I love Michael Caine, the original Italian Job was just overall goofy, for today's standards, and the heist wasn't believable, as he had poor technology, a fat blubbering professor, an inept Mafia at his tail, too little money to divvy up amongst a bus full of incompetent nincompoops, and a brain-dead girlfriend. All of which would have better made a Brit Com series than an action movie.
I was reluctant to see this movie when I heard it was coming out... Until my Original Italian Job-loving (and MINI loving, to boot) Dad bought it. I watched it and it was brilliant!
Suspend disbelief for a while and just enjoy the possibility of mastermind thieves and safe-crackers pulling one over the ever-sleezeball-portraying Norton, and getting away with MINI loads of gold bars.
Mark Wahlberg plays well the cunning master-thief Charlie Croker and Donald Sutherland gets an all-too-short, but very well-acted role as the surrogate dad for Charlie, sometimes better than his role as dad for his daughter Stella.
I enjoyed the mix of characters and thought Charlize Theron does a good job as grieving daughter Stella trying to keep away from everything that reminds her of her father, including Charlie. The writers did a good job holding off on cheezy love scenes that so easily could have been inserted in tender, vulnerable moments between the Stella and Charlie.
The others play well with and off each other, from the goofy Seth Green as the resentful ex-Napster Lyle, to a half-deaf loveable Left Ear, and a swaggering smooth-talker of a Brit in Handsome Rob. This small group of characters, as opposed to the large posse Michael Caine had around him, would more believably go along with the heist for a large chunk of the more abundant millions.
While the only resemblance to the original is the three red, white and blue MINIs (originally a nod to the Union Jack), and the heist through a traffic jam (a traffic jam in LA is much more believable than the one in the original, and I thought the writers did a good job reworking that), and a wee bit of Italy in the beginning, this movie holds its own as an original, fun, fast-paced joy ride.
Don't be too hard on the advertisers! It wasn't their idea to incorporate MINIs into the mix. It was from the original movie, after all. But hey, if it encourages you to buy a MINI and do some stunt driving in your own neck of the woods, please do! MINIs rock! And so did this movie. It's worth buying.
The Italian Job
 
Review Date: May 21, 2003
Reviewer: Tim, Spring Park, MN USA
I just got home from thoroughly enjoying a preview showing of The Italian Job, 2003. The theme is familiar, the schtick is familiar, but the story is completely different. The new movie is to the old movie what the new Mini is to the old Mini. Similar, but very different, modern high tech verses basic seat of the pants... and both are very entertaining. I'm a long-time fan of the original Italian Job and will never get rid of my copy; but I now have a new favorite movie and will be adding The Italian Job 2003 to my collectionn. BTW, the new version has a great sound track too and I'll be buying that as well.

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